Getting Started with the InTune Mic -

Getting Started with the InTune Mic: Faster & Easier Bagpipe Tuning

by Jori Chisholm, Founder of
Last Updated: February 13, 2024

Jori Chisholm is the inventor of the InTune Mic and the founder of Jori shows you how to quickly and and easily get your pipes perfectly in tune with the InTune Mic and the Braw Tuner. He explains the best way to attach the InTune Mic to your pipes, how to calibrate the tuner app, and the important differences between tuning your bagpipes for band vs. solo playing. In addition, he explains when to tuning individual notes by moving tape on the holes or when to tune groups of notes by raising or sinking the reed in the chanter.

Watch the video and scroll down to read the full video transcript.

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Video Transcript: Today, I’m going to show you how to get started with the InTune Mic and how to get your pipes in tune faster, easier, and with greater precision whether you’re tuning up to play on your own or with the band. So, let’s get started! 

When you get your InTune Mic, you open it up. There’s the charging cord, there’s the mic itself, and then there’s the receiver. So, you can turn on the mic by pushing the button on the back, and you’ll see it’ll be flashing red and green. That means the mic is waiting to be paired. Take your smartphone and plug it in. Once you plug in the receiver and it gets power from your phone, you’ll see the light on the microphone turns solid green. Then, you know the mic and the receiver are paired and the sound from the microphone is getting transmitted instantly to your phone. 

The next thing you’re going to want to do is download the Braw Bagpipe Tuner app. It’s available for iPhones and also for Android. The link to download is in the description below. Braw is Scottish slang for great and it truly is a great tuner. If it’s your first time using the Braw tuner, you are going to see how amazing it really works with the InTune Mic and how quickly you’re going to be able to get your pipes in tune. Okay, so let’s get started if you’re tuning your pipes on your own.

What you want to do is get your three drones perfectly in tune with each other and also in tune with the low A. The low A is the master note. When you’re playing on your own, the exact pitch is not as important, but what you want is that the drones match each other and they match the low A. So, the process we’re going to go through is we’re going to use the Braw tuner app and the InTune Mic first to get a reading off of the low A on the chanter and then we calibrate the tuner to that low A and then we move the mic to the drones we get the drones in tune. So, here goes. 

The best place I’ve found to clip the InTune Mic on the chanter is to clip it on the bottom, pretty close to the bottom. You could have it in front of the chanter but I actually prefer to the side or to the back because that way it’s going to be out of the way of your hands. So, there it is on the back. I’m going to play for a little bit, you’ll see the Braw tuner responds to what I’m playing.

And you see that, as the tuner is listening to the different notes that I play, it’s reading the note and it’s adjusting on the display. That is one of the most amazing features of the Braw bagpipe tuner. It displays all nine notes at once, unlike other tuners that display a single note and it only displays the note when you’re playing it. The Braw tuner displays all nine notes and it keeps the display for each note. The other amazing feature that the Braw tuner does is it listens continuously and it’s averaging what it hears for each note. So, you don’t have to just play a single note or you don’t even have to play a scale, you can just play a tune and the tuner will listen and you’ll get to see what’s happening with all of your notes. Check it out.

So, that’s pretty close, but we want to make sure that this tuner is perfectly calibrated to the sound that’s coming off my low A. That circle at the check box is just about on the center line, but it’s not quite right. So, what we’re going to do is we’re going to calibrate the tuner by clicking on the low A button. And we have a couple of choices. One, we can say calibrate now and then we can actually play a low A. So, let’s do that. It’s going to give us five seconds to get ready.

That is actually not the way that I like to do it. What I would prefer is to just play for a little while. So, I’m playing tunes, I’m playing tuning phrases, I’m playing in a more natural way rather than just playing low A, staring at the tuner. And then we will auto-calibrate. So, first, I’m going to just play for a little bit.

Thank you. Good to play for a little bit. The tuner is listening and it’s showing what my low A pitch was. There, I’m going to hit the low A button and I’m going to say, “Use current average.” So, the current average is the average of all the readings that it just took off my low A. It’s the reading of my low A pitch and it says 478.9 and I say, “Use current average.” Bang! Now the tuner has been calibrated. So, if I play my low A again, it should be perfectly in tune. Now we have a reading off the low A. 

Now let’s tune the drones. So, take the InTune Mic off of your chanter and let’s start with the outside. I’m looking for the tenor tuning to be displayed right in the center on that sort of arced line and also showing on the tenor line that it’s straight in the middle. 

My pipes still don’t sound in tune because I’ve only got one drone in tune. Let’s move on to the middle tenor. Now the key thing when you’re using the InTune Mic is you want it to be as close as you can to the top of the drone without actually plugging the hole. Just about half an inch away.  And what that means is that the microphone is only going to be hearing that drone, and that is key for the tuner to work properly. The tuner can only listen to one sound at a time, either a drone or the chanter. So, that’s the genius of the InTune Mic is that it allows you to get that mic right up to the sound of that drone. 

I’ve actually made some sound recordings on my phone using the InTune Mic and when you have the mic right above the drone like that, that is all that you hear. Just imagine plugging one of your ears – completely blocking it off and then putting your other ear a half inch from the top of the drone, all you’re going to hear is that drone. That’s what the mic allows you to do so that your tuner hears just that drone. So, here we go now tuning the middle tenor.

There we go. And now finally, up to the bass drone.

Pretty good. Now, one of the things that you know about bagpipes is that the pitch does change as you play, as the pipes warm up, as moisture comes into the reeds, so things will change. So, the nice thing about using the Braw tuner and the InTune Mic is you can do things pretty quickly. 

But if you really want your pipes to be really perfectly in tune and last for the duration of your performance or practice, they’re going to need to get a little bit warmed up. So, the great thing about the InTune Mic is that you can clip it onto a drone, you can clip it onto your chanter, and because it’s really, really light, you won’t even know that it’s there. There are no wires, so you can wander around, you can march back and forth, you can wander and do your pibroch thing, and the mic will not get in your way. You can have your tuner somewhere that you can either look at it, or don’t look at it. 

So, this is how you get tuned up if you’re playing on your own. Meaning the exact pitch of your low A and of your drones is not that important within reason of course. But if you’re 484 one day or 482 another day, that’s not a big deal and of course, the pitch goes up and down with temperature, with humidity, with the ease of your reed, how hard you’re blowing, so the exact pitch maybe isn’t that important but getting everything in tune is important. 

If you’re playing in a pipe band, you do have to match a specific pitch. So, often when you’re playing in a band, the pipe major will say, “Okay we are going to be at 482.” So, what that means is you want to get your drones to 482, you want to get your chanter to 482, whatever that number is. Often when a pipe band is tuning, we’ll warm up for a while then we’ll get a reading off of one person.  Often it’s the pipe major or it might be someone else in the band who’s sort of a leader in the tuning and tone department and we’ll get a reading off that person’s low A. 

Maybe we’ll check a few other people and we’ll find out what the pitch is going to be for the band today. So, whatever that number is, once you have that number, you can program that right into your app. So instead of using the current average, you just plug in whatever that number is by clicking set manually, and you would type in 482 or whatever that is, then you can use that to tune your drones. 

So, this is a great way to use the InTune Mic in a band situation. If you know the number, you can plug it right in. Maybe you don’t know the exact number but you’re going to go off the pipe major. In the old days, one person would get tuned up and then they would go around the circle and play with other players and you would tune by ear and try to make adjustments so that everyone matches. 

So, what you could do now: once the pipe major or whoever’s leading the tuning team is in tune, you can just get a reading right off their low A or you could get a reading right off of one of their drones with your InTune Mic and calibrate it that way. So, you could use the current average feature by measuring the pitch of a drone or a chanter of another person in the band or you can just plug in ‘set manually.’

So, now I’ve put it out of tune, so let’s go back and I’m going to recalibrate my low A and then I’m going to tune the chanter. The other thing that I found is by clipping the InTune Mic to the bottom of the chanter and having it behind you, that seems to be the best place to get the cleanest reading if you’re playing in a pipe band situation. 

If you’re playing at home and you’re the only bagpipe around and it’s reasonably quiet, having it on the front is just fine. But I find that in a band situation having it behind the chanter so it’s in between your body and the chanter seems to get a really good clean reading of the sounds coming off your chanter. So, what I’m going to do, I’m going to play for a little bit, then I’m going to do the auto calibrate on low A and then I’m going to see what’s happening with the notes on my chanter.

So there you can see what’s happening with the tuning of my chanter and the Braw bagpipe tuner is just amazing. That you have that feature where it listens as you play, it averages the readings and it keeps updating them as you’re playing, as your pipes warm up, and it displays all of them in one go. So now you can really see okay what’s going on there.

I would always start with the notes that are the most out of tune. So according to the reading there, my D is a little bit sharp so I could add a little bit of tape onto my D, the low G is a little bit sharp I could add some tape onto the low G, and then my high A, the tuner is showing it a little bit flat. 

Now I actually like my high A to be slightly flat. Maybe not quite as flat as it is there, but most players who get a really good sound, they tune their high A just a little bit flat. That’s not built into the tuner, so you can listen to players who get a good sound, you can ask them.  I would say just to the left of that center line it’s going to be good on high A. 

The high G is a little bit flat so I might want to take a little bit of tape off there. So that’s what the Braw tuner lets you do is see sort of the overall pattern and as you get more comfortable and experienced using the tuner, you will be able to figure out exactly what needs to happen based on a certain tuning profile. 

If everything looks really really good but one or two notes are sharp, put a little bit of tape there.  If everything looks really good but a couple notes are slightly flat, you maybe look down, take a little bit of tape off. If you see a whole bunch of notes are sharp, especially on the top hand, you might want to raise the reed because raising the reed is going to flatten all of the top hand notes. 

On the flip side, if you see that the top hand notes tend to be flat, you might be able to push that reed deeper into the chanter and that’s going to sharpen those. So, adding tape or removing tape changes the pitch of individual notes and then syncing the reed will sharpen the entire group of notes at the top of the chanter. It’ll sharpen the high A the most, the high G next most, and as you go down, each note is affected a little bit less. Raising a reed will flatten the notes, it’ll flatten the high A the most and then the high G the second most and so on. 

By having the display of all nine notes, you can kind of see the big picture of what’s going on. Do I need to move tape or do I need to change the entire top hand by syncing or raising the reed? 

I hope this has been a useful introduction for you on how to get started using your InTune Mic to tune your pipes using the Braw bagpipe tuner. Check out my YouTube channel where I’ll be posting more videos about how to use the InTune Mic with some of my other favorite apps. 

If you’re interested in the InTune Mic, you can get it at 


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These tips are based on my 30+ years of experience as a piper and teacher to pipers of all ages and ability levels from around the world.